a string section
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'We’d imagined occupying larger spaces, which were depositories for unwanted chairs, you could bring your own, watch your own object have its history changed in front of you.
It can be inside a large warehouse, outside in front of a forest, inside a library, against an important building that’s about to fall down, under a bridge that should have never been built, next to a motorway that divided a city...
Mole Wetherell
They then proceed to saw the legs and support mechanisms from each chair (one little bit at a time) - all while sitting on the chair. On occasion, they’d pause as a group, take in the audience, and then get back to work. It was riveting. I kid you not, the audience of 50 was transfixed.
Rob Orchard
like how simple and robust this work is. I more than like. I love this work very much
Helen Cole
I think this is the perfect piece for outdoor arts festivals who are looking to broaden their artistic programme with more contemporary performance
Jane Greenfield
a string section
proposal 2012
a string section
peer reviews 2014